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WOTJA ISLAND DRIVER
WOTJA ISLAND PATCH
WOTJA ISLAND SOFTWARE

Utirik was one of four atolls affected by nuclear fallout from Castle Bravo, the largest of the many nuclear weapon tests conducted at Bikini Atoll immediately following World War II. Following the end of World War II, Utirik came under the control of the United States as part of the Trust Territory of the Pacific Islands. After World War I, the island came under the South Seas Mandate of the Empire of Japan. Utirik Atoll was claimed by the Empire of Germany along with the rest of the Marshall Islands in 1884. Together with Rongelap, Ailinginae and Toke atolls, they were charted as Islas de los Reyes (Islands of the Three Wise Kings in Spanish) due to the proximity of Epiphany. Its first recorded sighting was by the Spanish navigator Álvaro de Saavedra on board the ship Florida on 29 December 1527. 380 C.E., including tools likely used by early Micronesian peoples. Historical artifacts have been unearthed on the Atoll which date back to ca. it is one of the northernmost Marshall Islands with permanent habitation. The population of Utirik Atoll is 300-400 as of 2020. It is located approximately 47 kilometers (29 mi) east of Ujae Atoll. Its total land area is only 2.4 square kilometers (0.94 sq mi), but it encloses a lagoon with an area of 57.7 square kilometers (22.29 sq mi). All other trademarks or registered trademarks are the property of their respective holders.Utirik Atoll or Utrik Atoll ( Marshallese: Utrōk, ) is a coral atoll of 10 islands in the Pacific Ocean, and forms a legislative district of the Ratak Chain of the Marshall Islands. SSEYO, Koan and the SSEYO logo are registered trademarks or trademarks of SSEYO Ltd. Specifications subject to change without notice.

WOTJA ISLAND SOFTWARE

WOTJA ISLAND DRIVER

PC MIDI interface/soundcard with Windows MIDI driver support and with a high quality synthesiser (Koan X Platinum has seamless inbuilt support for Creative Labs Soundfonts).Microsoft Windows 3.1x / Windows 95 / Windows NT 4.Get visual system feedback on your KoanMix with meters for Reaction time and Polyphony, MIDI diannel, SoundFont usage.Record your KoanMix to MIDI or audio (WAV) - ideal for saving your KoanMix's music to an electronic score and for making music for CDs (writable CD ROM drive required).Save your KoanMix to encrypted SKP (non reopenable) file - ideal for creating Koan pieces for your website or save to SKD (SSEYO Koan Design) files for later remixing.Create time based arrangements (for automatic muting of templates throughout a piece) with the Mix Editor, which includes a 'Scratch mixing' facility.Change the Piece Root and Scale rule for the KoanMix.Create KoanMixes from 1 second to 8 hours.Set up automatic piece mixing with the 'Drift' control which has bounding bars to constrain the area of drift and advanced vertical/horizontal lock controls.

WOTJA ISLAND PATCH

Change each template's default GM patch or select a patch bank (if your soundcard supports patchbanks) or SoundFont (SBK/SF2) patch (if your soundcard supports SoundFonts).Alter each template's Reverb and Chorus settings and Mute or Solo them, too.Mix each template's volume, pitch and stereo position.Create new KoanMixes from randomly selected templates via Styles (File New.

Includes 100 Koan templates to drag into your KoanMix.

It requires no prior musical knowledge and you will soon be creating, mixing performing your own contemporary music from totally cool drum 'n' bass to chillout ambient - fast, and all without a musical keyboard! All you need to do is drag a Koan template (an icon) into the KoanMix and you will be on your way to making your own great sounding new music, maybe even for your next CD, website or multimedia project!! The fascinating, intelligent and fun new "generative" music powertool for everyone, irrespective of age or ability. Koan X Platinum Creative music-making made easy! If we remember correctly, only one thousand were ever made, so if you bought or own a copy, and have kept it, you are a very lucky person indeed!įurther information on Internet WayBack Machine: SSEYO Koan X. The Koan Music engine it used was developed by Tim Cole & Pete Cole at SSEYO (see also SSEYO Key History Credits). It was probably a first in terms of generative music (see Sound On Sound 1997 review of Koan X). Koan X also let you control piece level rules, too, and allowed the mix elements to move randomly with a variety of flocking mechanisms (physics). Each element in the mix created its music according to what other elements were doing - they were all aware of each other, creating in that context and so it was a "group composition" so to speak. It let you drag generative elements onto a mixing canvas (drag-and-drop) and then mix/modify the elements, including their pitch, pan and volume. It was an easy to use, "Drag 'n' mix" system for generative music.